The Social Network movie
Formats Detail
CamRip
| Video Codec | mpeg4 |
| Resolution | 720x320 |
| Video Bitrate | 1611kb |
| Audio Codec | mp3 |
| Audio Channels | 2 |
| Audio Bitrate | 128kb |
| FPS | 23980 |
| File Size | 1328 Mb |
| Preview File Size | 19 Mb |
| Language | en |
| Download in CamRip format | |
iPod
| Video Codec | h264 |
| Resolution | 640x264 |
| Video Bitrate | 935kb |
| Audio Codec | aac |
| Audio Channels | 1 |
| Audio Bitrate | 159kb |
| FPS | 23970 |
| File Size | 806 Mb |
| Preview File Size | 157 Mb |
| Language | en |
| Download in iPod format | |
720p HD
| Video Codec | h264 |
| Resolution | 1280x528 |
| Video Bitrate | 128kb |
| Audio Codec | dca |
| Audio Channels | 6 |
| Audio Bitrate | 2535kb |
| FPS | 23980 |
| File Size | 6718 Mb |
| Preview File Size | 157 Mb |
| Language | en |
| Download in 720p HD format | |
rockstar0725 from United States
We learn nothing of facebook or who created it. This is the action movie of litigation films.
*** This review may contain spoilers ***
David Fincher's "The Social Network," promised to be meaningful expose
on what facebook really means. Radiohead's "Creep" plays during the
trailer as we watch facebook clicks and posts. "Don't care if it hurts/
Wanna have control/ I want a perfect body/ I want a perfect soul/ I
want you to notice/ When I'm not around/ You're so very special/ I wish
I was special/ And I'm a creep/ I'm a weirdo/ What the hell am I doing
here."
We were lied to. Every character in The Social Network is an empty
shell. In a baffling antithesis to the trailer, we are deliberately
kept from ever seeing any emotional depth. Relentless aberrations of
ego dominate the film as we watch Mark party, meet the hotshot creator
of napster and perform business deals.
In what felt like the only scene of value in the film, we start by
seeing Mark get dumped by his girlfriend "not for being a computer
nerd, but for being a dick." His revenge is to call her a "bitch" on
his livejournal and create, "facemash," a website that ranks every
girl's attractiveness on campus by having men vote who's hotter between
two girls. And while the movie briefly explores the effect this had on
his ex-girlfriend and the other female students, Mark never accepts or
grows from the idea that he committed wrong, and we instead watch him
heroically stand up to the evil school board that punishes him. What
follows this wonderful patriarchal attack is a slew of parties, girls
and celebrity.
The movie cuts between litigation over the money of facebook and Mark's
rise to power. What facebook actually means to Mark, or to any of the
users, is never actually explored. The film ends with the words, "Mark
Zuckerberg is the youngest billionaire to date." How perfect to sum up
this void of two hours. What you are to take away is the comfort of
knowing you spent time with someone who has more money then you, drank
more alcohol than you, knew more famous people then you and got richer
than you. If you enjoy a vicarious ego trip with no emotional
gratification, this is the film for you. Be prepared to not care about
anyone.
Tim Chaten from United States
Fantastic Story, Drama, and Highly Entertaining!
I had an opportunity to see a free prescreener of The Social Network
and I must say this film kept me on the edge of my seat the entire
movie. It is a movie that moves quick and keeps your mind alert and
absorbing the information.
The acting is great all around – the characters are pretty true to the
real people. It can be enjoyed by both geeks and regular people looking
for an entertaining movie.
I really enjoyed this movie and will see it again and again when it
comes out on DVD.
This is one of David Fincher's best films to date (and that is a hard
mark with having the great film library that he has)
So – Highly Recommended a Near Perfect Film About Facebook
Trevor Todd from United States
Can the "Facebook movie" be one of the best of the year? Yep, it sure can…
"The Social Network" was an incredibly engaging film that, while mainly
revolving around the invention of Facebook (and all the problems that
the creators encountered both before and after all was said and done),
really focused in on ideas and feelings that can be (and are)
universally felt through all people, the primary example being trying
to fit in. Everyone wants to be accepted (I for one have never met a
single human being that has wanted to be a loner), and some will do
whatever it takes to get that sort of attention (which tends to lead
into bad consequences). In a year where movies have received some of
the lowest critical ratings (as well as box office earnings) in recent
memory, "The Social Network" was, while haunting, truly refreshing and
ultimately a triumph in all aspects, whether it be considering the
acting, script, or directing. It was a fantastic movie that shouldn't
just be among the best of the year; it's so much more important than
that. It defines the entire social networking generation, and that is
one hell of an accomplishment. Everyone can relate to it one way or
another, and that makes it one of the must-see pictures of the year.
david_swinton2001 from United States
Great movie
I saw this film at a free screening in Denver last night. From the
opening sequence, you know you're in Aaron Sorkin territory. His
rapid-fire dialogue and the "that was then, this is now" editing is a
little disorienting at first, but you get used to it. When Mark
Zuckerberg breaks up with his girlfriend, you have a pretty good idea
of everything going on in his mind. And yet, the film portrays him in a
sympathetic light. Everyone was laughing at the hilarious put downs and
one-liners. The best one, at least in my opinion, is a reference to the
original "Karate Kid." All the actors are OK, but this is Jesse
Eisenberg's movie. He convinces you of all the insecurities and doubts
percolating in his character. While his reasoning is usually explained
with a gesture or a snide remark, his confrontation with the Winklevoss
twins' lawyer lays out his true motives for being the way he is.
Rashida Jones' character although minor is pivotal since she explains
to Zuckerberg where he went wrong. There are some brief digressions
like Saverin's girlfriend problems which contribute to the 116-minute
running time(sans credits.) It's a little too long, and David Fincher
seems confident enough in the material not to indulge in any of his
usual tricks. I'd say the film is a mix of "Juno" with "Greenberg"
without the self-conscious dialogue of the first, or the nastiness of
the second.